Varvara Shmykova

Var­va­ra
Shmy­kova

Position
Act­ress

Var­va­ra Shmy­kova (b. 1992, Mos­cow) is a Rus­si­an-born act­ress ba­sed in Ber­lin. Fol­lo­wing the full-sca­le in­va­si­on of Uk­ra­ine in 2022, she re­loca­ted to Ger­ma­ny, whe­re she has con­ti­nu­ed her ar­tistic ca­re­er ac­ross Euro­pe. She gra­du­ated from the Mos­cow Art The­at­re Scho­ol in 2016 (Work­shop of Vik­tor Ryz­ha­kov).

Shmy­kova has col­la­bora­ted with in­terna­ti­onal­ly acc­la­imed di­rec­tors inc­lu­ding And­rey Zvy­agint­sev, Ki­rill Se­reb­renni­kov, and An­na Me­liky­an. In 2026, she ap­pe­ared in Zvy­agint­sev's la­test fe­atu­re, Mi­nota­ur, which pre­mi­ered in Com­pe­titi­on at the Can­nes Film Fes­ti­val and was awar­ded the Grand Prix. Her scre­en cre­dits al­so inc­lu­de Lo­veless (Ju­ry Pri­ze at the Can­nes Film Fes­ti­val and Aca­demy Award no­minee for Best In­terna­ti­onal Fe­atu­re), Pet­rov's Flu, and Tcha­ikovs­ky's Wi­fe.

She re­cent­ly comp­le­ted the le­ad ro­le in MATRÖSHKI, the de­but fe­atu­re film by di­rec­tor Ali­na Yk­ly­mova, pro­duced by Schi­wago Film in co-pro­duc­ti­on with the Film Aca­demy Ba­den-Württem­berg (Lud­wigs­burg). The film marks Shmy­kova's first le­ading ro­le in a Ger­man fe­atu­re film.

On sta­ge, she has ap­pe­ared in pro­duc­ti­ons such as Pla­tonov, Ba­al, and Three Sis­ters. Sin­ce re­loca­ting to Ger­ma­ny, she has per­formed in Ki­rill Se­reb­renni­kov's Don Gi­ovan­ni / Re­qui­em at Ko­misc­he Oper Ber­lin and Der Schne­es­turm, pre­sen­ted at the Salz­burg Fes­ti­val be­fore trans­fer­ring to Düssel­dorf Scha­us­pi­el­ha­us.

Along­si­de her ar­tistic work, Shmy­kova is ac­ti­vely in­volved in so­ci­al ini­ti­ati­ves sup­porting child­ren, el­derly pe­op­le, and wo­men's rights. She uses her pub­lic plat­form to ad­vo­cate for bo­dy po­siti­vity, comp­re­hen­si­ve sex edu­cati­on, and ci­vic en­ga­gement, and ser­ves as an am­bassa­dor for a pro-fe­minist girls' fo­ot­ball club. Her work exp­lo­res qu­es­ti­ons of iden­ti­ty, fre­edom, and hu­man re­sili­en­ce. Whet­her on sta­ge or on scre­en, she is drawn to sto­ri­es in which emo­ti­onal ho­nes­ty is in­se­parab­le from the so­ci­al and po­liti­cal re­ali­ti­es of our ti­me.